地下交响曲6

周围的人噤若寒蝉，青荷冷哼一声，你(nǐ )们别胡说，要不然

Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.

想到男人这一路的呢喃，求求你，救救她(tā )们他真的不知道(dào )该怎么办？

安妮是(shì )一名律师，和丈夫皮埃尔以及两个领养的女儿(🐒)原本过着平稳(📆)幸福的生(shēng )活，直到西奥搬进了他们家中。西奥是皮埃尔与前妻的孩子，性(🕙)格叛逆且无礼。然(🚦)而，在与安妮的几(🚸)次相(xiàng )处之后，两人逐渐产生了一段无法收拾的激情，但这对安妮的事业和家庭来说(shuō )无(wú )疑是致命的。本片改编自2019年的丹麦电影《红心女王》。

Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.

马跃的妻子莉莉挺着大(🧖)肚(🚷)(dù )子，准备产检。就在这个时候，一伙(huǒ )儿匪徒悄(qiāo )然绑(➿)架了莉莉，她给马跃的电话打到一半就断(✂)了，聪明的(🥕)莉(lì )莉在匪徒动手控(kòng )制她之前，将马(mǎ )跃送给她的定位手表摘下来(🎼)，塞进衣服里。马(mǎ )跃意识到莉莉发生不测，赶紧通知了龙(🔍)卫和陆大山。他们(🏷)通过(⌛)莉莉的手表追踪(👷)到匪徒的路线，紧急尾(🌪)随。没想到追踪到一处民房，却遭...

老(💽)大(dà )夫不乐意，不过拗不过两人，配了两副药给他们。

就是，刚准备出去(🕡)找你(👥)们，你们就回来了。王(wáng )杰本以为有大显身手的机会，谁成想白高兴了。

陈仓是一个自私、叛(pàn )逆的城市青年，被父亲放逐(🕴)到唐山一个自发评剧团里，被迫跟着剧团老(🕖)板(bǎn )参加农民工义演，经历诸(🐘)多艰难险阻，最后成长为一个有(💺)担当的男(ná(💃)n )子汉(hàn )。