The third film that Naruse made in 1950, White Beast (Shiroi yaji, 1950), was described by Kinema Junpo critic Tsumura Hideo three years later as "so indescribably miserable as to haunt me even today." Tsumura represents the bulk of Japanese critics of the time, who felt that Naruse experienced a terrible slump throughout the 1940s and this film seemed to be the "bottom of the ocean." The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its catfights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.
张婆子不干了:我还没吃呢!说着张婆子就上手去抓。
天(🐿)海市发生一起枪杀案,死者霍明德是一名归国不久的老华侨。刑警队长葛仁和搭档(🔭)徐萍赶到事发现(🐥)场展开调查后发现,霍明德(dé )是在听完一场贝多(🍲)芬音乐会之后被害的。据霍明德老(💨)人的保姆讲(🔀),霍明德在大陆除了一个(👆)整天游手(⚾)好闲的侄子霍根(gēn )拄,几(💋)乎没有什么别的亲戚。对侄儿霍根拄,霍明德(dé )多少有...
A comedy about loss, grief, and the redemptive power of love. Dean is a NY illustrator who falls hard for an LA woman while trying to prevent his father from selling the family home in the wake of his mother's death.@
故事开始于明朝(cháo ),凤三(元华 饰)心(xīn )肠歹毒,无恶不作,身为锦衣卫,同时又(➖)是凤三的师弟,方守正(元彪 饰)发誓要将(jiāng )凤三绳之于法。然而(ér ),凤(♑)三此人诡计多端,甚至想要偷取能够扭转时空的黑玉(yù )佛(fó ),借此逃(♑)脱法网,几番(🍕)(fān )争斗(🏐)之后,两(liǎng )人双双跌落山(shān )崖。 ...
为了抛开这乱七八糟的(de )想法,他拿过宁萌的圆(yuán )珠笔,又拿了一张草(🚻)稿(gǎo )纸过来,写(💎)了(le )简单易懂的几步(bù )解题思路,然后指着过程一步一步(🔭)给她讲解。
莉莉自家(📢)乡到洛杉矶求学,住进学生宿舍看(kàn )到死去的(🐸)艾薇日记,因(yīn )自己(🕒)缺(🥠)少信心,为日记中的大胆假想,憧憬自己变成美丽诱人的女郎,周旋在同学葛丁(dīng )与教授唐纳之间,造成两人的敌对,以致毁坏了教授的婚姻,后来教授堕楼而(🌋)死,莉莉终于觉(jiào )悟,不必标(🕉)新立异而与(👅)葛丁重修旧好。
齐远急得恨不能(🌙)(néng )报警,霍靳西却依旧是如常(😼)的模样,只是今天的下班时(🐴)间较平常相对(duì )早(🍺)了些——九点钟,他就离(lí )开公司回到了公寓。
见杜雪注意力转移(⏺),秦昊暗地里阿弥陀佛一声。
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