Two elderly World War II buddies are living - and dying - together in their small home. One becomes a patient where salvage-worthy, older attributes are combined with useable, younger body parts. He returns, unrecognized by the other.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better. As Roxane says, no child sets out to become a maid. But once there, are all other doors closed?
白白软(ruǎn )软,过分细腻的皮(⬅)肤,在灯光下更是柔软得可爱(🌁)。
见到他这样的神情,慕浅瞬间就知道自己猜得没(méi )错,于是拉(👴)了拉霍靳西的(📬)衬衣(🔚),乖巧讨好,老公,说说嘛,我想听。
许是躺着的缘故,他没有(🧐)戴(🛐)眼镜,少(shǎo )了镜片的遮挡,那双眼睛(🧀)似乎也少了些许温润,带着一丝清冷的苍凉,安安静静地注视着她。
1972年的貝魯特,美國外交官梅森史凱爾斯(喬漢姆 飾)主辦了一場派對,恐怖份子突然攻擊(🎠)派對,造成了血(xuè )腥悲劇......
苏(🔉)凉,我(🚐)跟你讲(jiǎng )。陈稳低头,贴着(zhe )她的耳畔,呼吸(xī )洒在她裸/露的(de )肌肤处,声音克制而微哑,只撩就跑,在我这(🥜)(zhè )才是不允许的,我要想一步登天,你喝醉的那晚上,我就可以办了你。
若(ruò )是张秀娥(é )自己不说,这掌柜还以为(wéi )张秀娥还没(😙)出阁呢。
她可是一直幻(huà(💭)n )想着,去镇(🛰)子里面,找一个好人(rén )家,再不济(jì )也要找一(😄)个有铺(🕥)子的,去做那收钱的女掌柜!
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