逃走中 殺人ハンター

Eine sechsköpfige Gruppe Jugendlicher fährt aufs Land, um einen letzten gemeinsamen Kurzurlaub zu verbringen. Dabei wissen viele der 6 nicht, warum sie eigentlich mitfahren.

走了这么一大段路，脚也脏了，直接回游泳馆也不合适，思忖片刻, 迟(⏳)砚只好转身往后面的更衣室走。

姐(jiě )姐，我没事儿。张春桃把泪水忍了回去。

所以这一次，我(wǒ )们慢慢(✳)来。乔唯一说，避开从前犯下的那些错误，从头(🛁)开始，慢慢来过，好不(bú )好？

张(zhāng )秀娥，你也有害怕的时(shí )候？不是说你(nǐ )养鬼了么？那你还(📵)(hái )怕啥？我看你(🚎)养的根本就不是鬼，而(ér )是什(shí )么(🎭)汉子吧？张宝根的年纪不大，但(🚣)是(shì )那说荤话的本事，比张(💀)婆子(🚢)还高。

Hildegard Knef gives us one of the best interpretations for the Empress of Russia. But Elisabeth Bergner with Douglas Fairbanks Jr. in "Catherine the Great (1935)" and Louise Dresser with Rudolph Valentino (!) as The Black Eagle in "The Eagle (1925)" are good as well. Sergio Fantoni is not a super-star as Fairbanks or Valentino but he is a good cast as Orloff. The ball-room scenes, the costumes and the uniforms are good (Walter Patriarca was the costume-designer). Umberto Lenzi, the director, and the script-writer Malatesta deliver us a fine historical movie with passion and adventure.

住在曼(màn )谷唐人街父母早年失踪的阿探自幼(yòu )渴望和好友风泽一起投身警界却未能如愿不甘心之下他(tā )当起了私家(🦑)侦探却只能接一些鸡鸣狗盗的小案子赚钱不多口(📄)碑奇(🏳)差还时常入不(bú )敷出要靠风泽接济一天阿探的朋友(🗒)肥龙委托他调查一个女人声称自己正在被她追(zhuī )杀好奇之下阿探(💹)根(🏎)据照片查出这个女子叫莫慧心却在寻找相关知情人士时接连出现怪(💿)异事...

Charthurst Green, Kent, 1966. Pauline Cox accompanies Mike Robins to a village cricket match in which he is playing, but becomes bored and wanders away. She fetches up at the local railway halt, where she is first entertained to tea by the garrulous, hunchbacked station keeper, then upset by the intrusion of the latter's assistant Ewen, who proceeds to kill a rabbit in her presence. Making her way back to the match, Pauline is waylaid by the simple-minded Ewen as she crosses an apple orchard; when his advances become violent, she tries to fight him off and he strangles her. That evening, the hunchback discovers Ewen with Pauline's body in the shack where he lives, and helps him to bury the corpse in the orchard. Later, however, Ewen inadvertently betrays himself: the body is disinterred by the police and Ewen breaks down hysterically. Years later, the hunchback, who has disavowed Ewen, encourages the friendship of another village youth. Peter Jessop's carefully textured camera work initially lends this mini-feature an edge of the picturesquely sinister. But the resolution of the anecdote is rather forced and anti-climactic, and some of the details (like the police searching the orchard at the dead of night) ring distractingly false. All the same, it represents a debut of some promise.

怀里的人，真的(de )让他，无法移开视线，他(tā )的(de )心里眼里慢慢(🥙)的都(➕)是她。

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