无敌小子霍元甲

但她投球不准，力气太大，总是砸在篮板上又弹回来。

两个人贴得太近，近(📺)(jìn )到孟行悠不用往下看，都能感受到自己(👛)膝盖抵住了一个什么东(😦)西。

韩雪第一眼看见这辆黑色的越野车，就喜欢上了，车里面的空间很大，可以容纳五个人。

惊悚小说大师(🔤)斯蒂芬(fēn )·金此(cǐ )次带大(👤)家进入一场世纪风暴，狂风大雪令小岛的(🚐)居民陷入孤立无援。一个无所不知的人闯进(jìn )他们的社区，不断地说(🔆)：“满足我的要求，我便会离开。”市政(👹)厅或许能抵挡风雪的怒吼，却抵挡不了这神秘人(rén )所带来逐渐(⬇)升级的恐(🤫)惧。一双邪恶的手竟造成比世纪风暴更毛骨悚然的浩劫。

自9·11事件以来，美国政府和老对(duì )手(shǒu )奥萨马·本·拉登展开了旷日持久的追(zhuī )逐战。历(🍬)经两届小布什政府，本·拉登依然逍遥法外(wài )，有如幽(👁)灵一般神秘出没于中东的崇山峻岭和沙漠荒原之中。随(suí )着奥巴马政府上台，针对塔利班基地组(zǔ )织的新一轮歼击战旋即展开。CIA追(💷)逐前基地组织的(de )联络(🔥)员“信使(shǐ )”，一步步逼近狡猾警觉的本(🛏)·拉(😀)登。...

黑社会老大文哥（高雄 饰）被(bèi )人追杀，其弟阿南（任达华 饰）安排五个人来做其兄的(de )保镖，并命令他们查出暗杀文哥的(de )幕(🏌)(mù )后人物(wù )。这五人分别是阿(🍕)鬼（黄秋生 饰）、阿来（吴镇宇 饰）、阿Mike（张耀扬(yáng ) 饰）、阿信（(📳)吕颂贤 饰）和阿肥（林雪 饰）。阿来和阿信是知名的高手，阿鬼、阿Mike、阿肥则(❣)是金盆(pén )洗手的昔日英雄：阿鬼(😵)是文哥以前的手下(xià )，阿Mike是神枪手，阿肥是枪械专(zhuān )家(jiā )。五(🌲)人(rén )同心协力，将杀手擒获，并查(chá )清了幕后主使人。五个不认识的江湖人成为肝胆(🧥)相(⚡)照的好友(yǒu )，这时，阿南告(🍋)诉阿鬼，阿信与文(🥦)哥之(zhī )妻通奸，要(💉)求阿鬼去杀死阿信，阿来坚决不允许这么做。阿Mike和阿肥又分别支持阿来和阿(👶)鬼，最后他们约定(dìng )在一(💣)(yī )家(💊)小(🚓)餐厅解决这个问题，互相对准的枪口真是(shì )一触即发……

20世纪上半叶，战火蔓延全世界。日军的铁蹄践踏东南亚，英(yīng )属殖民地新加坡自然无(wú )法幸免。新加(🌔)坡沦陷后，在名为樟宜的地方，成千上万的人血染海滩(tān )，传闻当地的(🗞)兵舍更设有酷刑室对(duì )民众进行(háng )惨无人道的折磨(🏯)(mó )。二战结束后，兵(🎌)舍改为樟宜(🌩)医院，然而此处(chù )闹鬼(guǐ )的传闻(🦅)(wén )却不断风传，愈演愈烈。最终樟宜医(yī )院宣布废弃，成为无人敢于靠近的...

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at uph...

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