帕(📪)特(🔺)丽夏·阿奎特,美(🧖)国演员、导演,出生在芝加哥,童年(🈹)则在(🔸)维吉尼亚州度过。曾祖父母表演杂耍,祖父是电视节目《好莱坞广场》的工作人员,父亲曾在百老汇登台(🕶),姐姐罗珊娜是个知名演员(yuán ),三个(📯)兄弟也在演(yǎn )艺界发展。虽然艾奎特(tè )从(🤽)小就对(🥫)母亲(qīn )说将来要当演员,但她的青春期却是状况百(💹)出,光是高(⏮)中就因其性喜(xǐ )冒险犯难而换了好几所学校,甚至在14岁的(🎪)时候剃光了头(tó(💴)u )发离(🦊)家出走。从不(🃏)害怕尝试的艾奎特,虽未在学校(xiào )接受正规表演课程,也不急着投入演艺圈,18岁时却决(jué )定放手一试。起(♒)初(chū )她都...
During a ceremony in an old parish in the city center, a group of worshipers die of poisoning after taking communion. The police take up the investigation while the priests, who have remained in the church, begin to suffer strange visions.
The third film that Naruse made in 1950, White Beast (Shiroi yaji, 1950), was described by Kinema Junpo critic Tsumura Hideo three years later as "so indescribably miserable as to haunt me even today." Tsumura represents the bulk of Japanese critics of the time, who felt that Naruse experienced a terrible slump throughout the 1940s and this film seemed to be the "bottom of the ocean." The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its catfights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.
芭芭拉·斯坦威克(kè ),好莱坞知名女(nǚ )演员。三岁时母亲因车祸离世,酒(💐)鬼父亲离开,从此过(guò )着被寄养在他人家庭的生活。15岁时,她在齐格菲歌舞团当上了一名跳舞女郎(🗃)。1927年,她在无声片《百老汇夜晚》中首次登上荧(yíng )屏,翻开了人生新的一(yī(🏳) )页。1930年,斯坦威克参加了影片《闲花泪》的拍摄,该片(pià(🕳)n )导演弗兰克(kè )·卡普拉发现了她的才华,让她着在《神女》等三部影片(🍐)中扮演主角。
双(shuāng )方同时住手,向着(zhe )忽然出现的陌生(shēng )气息看过(guò )去。
容(róng )清姿正陪着霍老爷子(zǐ )坐在早餐桌旁,出乎意料的是,一向在七点半之前准时出门的霍靳西竟然也还在,正(zhèng )盯着霍祁(〰)然吃早餐。
当考古学家西格德对北欧神话的(🚕)世界末日无法(🍗)释怀的时候,他毅然决(jué(❇) )定与他两位同事带着自己的两个小孩开始了探索旅(lǚ )程,他(tā )们来到了芬兰马克,挪威的(⛩)(de )北部与苏(⏯)联交界处(🥒)的无人区当他们解开真相时才发现,原来石碑符文并不是所(suǒ )想的那样,而是一个做梦(mèng )也想(xiǎng )不到的秘密。
脑海里不知道浮现了多少上午时候的场景,也越来(lái )越深了,蒋慕(mù )沉想(xiǎng )着,到半夜(⏲)都还(👢)没睡着。
警察李惠明(李修贤 饰)是个玩世不恭(gōng )的家(🏔)伙,行为作风很是随意。他甚至会借故跟晨练的女孩相撞趁机(jī )占便宜。不(bú )过,在抓罪犯方面,他还是尽职(🕴)尽责,警队的员工都称呼他为大情人,尤其是老警察亚彪((👋)王钟 饰(♉))跟(👉)他配合(hé )默契。不过,新来(🍨)的女上司却对(😂)他们很是看不惯。有一次,他在餐厅为了素未谋面(🏛)的女模特安(🛒)妮(杨雪仪 饰)大打出手。后来,在抓捕罪犯大烟枪的过(👞)程中,他再次碰到了上次搭(🌶)救的安(ān )妮,得知她正遭受骚扰。原来她换衣服时被摄影师男友瑞奇偷拍,后(⚪)者以(❌)此威胁逼她就范。为了帮安妮出气同时展(🔚)开恋情,大情人(rén )挺身而出当众教训了男友(yǒu ),由此遭(zāo )到了对方的嫉恨。后来(lái ),在一次办案中,他将借故捣乱的男友送进了精神(🤪)病院。不(🏗)想,后者偷偷逃出了(le )精神病院,并开始了凶残的报复行(🐴)动……
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