美国(guó )丧尸片(piàn )。来自(🕐)拉斯维加斯的莫(🙅)莉,为躲避赌城的遍地僵尸,前往机场逃往墨西(xī )哥(💣),然而碧血黄沙中,始终有一只孤独而贪(tān )婪的僵(jiāng )尸尾行,她决定绝不让这只僵尸死第二次……
After a New York City woman is sexually assaulted while walking home one evening, she struggles to accept the truth and rediscover the intimacy within her relationship.
Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.
晞晞只能胡乱地在景厘的手机上点着,不知怎么就点进了通话记录,看见了一个红色的名字。
我适应能力可强。慕浅说,况且这是我从(🐶)小(🎫)生活的地方,不会不习惯的。
青春少女玛丽(Cécile De France 饰)和爱莉西娅(Maïwenn Le Besco 饰)是同在法国巴黎一所大学(xué )就读的好朋友。某个周末,两(🍋)人驱车前往爱莉西(🌴)娅家(jiā )位于乡下(⏪)的农场度假。适值深夜,万籁俱寂,玛丽(🙄)寂寞难耐正在自我宣泄之时,一个不速之客突然闯入。他残忍杀害了爱莉西娅的父母和年幼的(de )弟弟...
1999年,著名(🌝)的东方学学者萨伊德和指挥大师巴伦(🎠)伯伊姆共同创立了(le )《东西合集交响乐团》,来自以色列和阿拉伯世界的年轻音乐家联袂演出贝多芬作品,来自当今世界热点地区(qū )的(de )冲突双方(😺)(fāng )首次在音乐中和(hé )谐交(jiāo )流(liú )。该团成功首演(yǎn )后,一(yī )直活跃(🧤)于世界各地,给悲观的人们(men )带来一丝希望。
这衣服是粗布的,上面(miàn )竟然还有两个补丁,张秀娥想到这(🤶)斜着眼睛看了一眼此人,继续想到,上次看到这男子的时候,虽然他比现在还狼狈,但(🦅)是好像(🎼)没落魄(pò )到这个地(dì )步呢,也不知道这(🕉)个男子怎么混的。
孟行悠(🥣)觉得刺(🌘)眼,用(⏹)手挡了挡眼睛,迟疑(🈸)片刻,慢吞吞地走下楼,规规矩矩叫他:哥哥,你回来了。
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