蓝象7

After seizing a British ship, the female pirate captain Anne Providence (Jean Peters) spares a Frenchman captured by the British, Pierre LaRochelle (Louis Jourdan) from walking the plank. He agrees to join Providence's crew and soon she begins to fall for the handsome officer.

慕浅两只鞋子都扔了，这会儿只是朝他龇了龇牙，又(😭)瞪了他一眼。

Ivan Passer's "Law and Disorder" is a gentle, touching, sometimes disruptively funny movie about—among other things — ignorance, prejudice, rape, larceny, the failure of small dreams, about people trying desperately to cope and often coming apart. It stars Carroll O'Connor as a taxicab driver and Ernest Borgnine as an ex-Marine, who is a hairdresser with a passion for guns. They are the nucleus of a small group of outraged tenants of a housing project called Co-op Village, set on the Lower East Side of a New York City that bears some superficial resemblance to the setting of the inexecrable "Death Wish." "Law and Disorder," is the second American film by Mr. Passer (his first was "Born to Win") whose "Intimate Lighting" is regarded as one of the major achievements of the brief, mysterious renaissance of Czechoslovak films in the nineteen-sixties. Willie (Mr. O'Connor) and Cy (Mr. Borgnine) and their friends are threatened as much by the onset of barren middle age as they are by the collapse of civil order. Thus, when they form a police auxiliary unit to protect their neighborhood, they are as invigorated by the opportunity to wear uniforms as they are by the opportunity to bring peace to the community. Perhaps more so. The uniforms define purpose. They recall a more innocent time, say World War II, when there was never any question as to who was right and who was wrong. The ultimate failure of Willie, Cy and the others is less a comment on their inadequacies, often hilariously detailed, than on the overwhelming complexity of the urban problems they face. It's this awareness on the part of Mr. Passer, as well as on the part of William Richert and Kenneth Harris Fishman, who collaborated with the director on the script, that separates "Law and Disorder" from exploitation junk like "Death Wish." It also dictates the mood of a film that slides between farce and melodrama, between high good humor and enervating despair. Some of Mr. Passer's characters, like Willie, continue to try to improve things. Willie dreams of a new career. He wants to sell his taxi medallion and buy a lunch counter, much to his wife's horror. Says Willie in desperation: "I ain't a failure, Sally, I just ain't on time." Cy, the hairdresser, is a hunter. He keeps an entire stuffed deer in the bedroom and has a piranha fish in a tank in the living room. He doesn't hunt people, however, and he hasn't quite arrived at the point occupied by most of the other citizens of the city whose motto, repeatedly expressed, is an obscene two-word imperative.

尤里（丹尼拉·科兹洛夫(fū )斯(👁)基 Danila Kozlovsky 饰）原本是(🐋)莫斯科王牌球队的队长兼主力，因为痛失点球情(qíng )绪失控不得不提前(qián )退役，退役后的生活颓废至极，在父亲的劝说下，他来(lái )到(dào )了俄罗斯边远小城(📭)，成...

我知道我知道。向来尖锐的(de )林淑罕见的好脾气，一个劲地安抚程曼殊，你先上楼休(😫)息，我(🕘)马上就(🏓)把她赶走。

This sexy thriller follows the trials of a petty crook who steals jewels from the Parisian mob, then seeks refuge with his ex-wife and her new lesbian lover. When the mobsters torture the lover to discover the location of the jewels, a detective gets involved and things really get steamy.

这话同时震怒了雨翔和钱荣，联合起来给(🥒)谢景渊伐毛洗髓：你怎(zěn )么这么说呢(ne )?

Two young Danes have joined Free Corps Denmark and have struggled on the Eastern Front, In the beginning of 1945 they desert from barracks of the corps on Zealand and shoot two superiors. They seek home to their North Jutlantic birthplace, persecuted by the Free Corps, the Germans, and also the resistance group through an extreme cold Danmark. Written by Anonymous

我说(🎒)大湖(hú )，你就答应(😫)吧，当初要是没(méi )秀娥(é )，你都不会有这(🙂)个孩子，如今秀娥要帮着你照顾这孩子(zǐ )，你还(🍺)有什(shí )么不满意的？刘婆子嚷嚷了一句(📖)。